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Political camerawork : documentary and the lasting impact of reenacting historical trauma

Title
Political camerawork : documentary and the lasting impact of reenacting historical trauma / D. Andy Rice.
ISBN
9780253065919
0253065917
9780253065926
0253065925
9780253065933
Publication
Bloomington, Indiana : Indiana University Press, [2023]
Physical Description
xi, 250 pages : illustrations (black and white) ; 23 cm
Summary
"What mental and physical distress do actors, camerapersons, and reporters experience when working on reenactments of traumatic moments in history? In Political Camerawork, D. Andy Rice theorizes that the intense feelings produced while creating these performed scenarios, called "simulation documentaries," connect difficult pasts to the present. Building on his background as a nonfiction film director, producer, editor, and cinematographer, Rice analyzes performance techniques to gain insight into the emotional toll of simulation documentaries, including those reliving the Vietnam War, the US military's embodied training in California during the Iraq War, and an annual quadruple lynching reenactment organized by Black civil rights activists in Georgia. Investigating the lasting impact of these productions, Political Camerawork reveals that, by performing a simulation of a traumatic event they didn't directly experience, those involved become carriers of the trauma"-- Provided by publisher.
Other formats
Online version: Rice, David Andy. Political camerawork Bloomington : Indiana University Press, 2023
Format
Books
Language
English
Added to Catalog
July 20, 2023
Bibliography
Includes bibliographical references and index.
Includes filmography.
Contents
Being there again: reenacting camerawork in In country (2014)
Weaponizing affect: a film phenomenology of 3D military training simulations during the Iraq War
"Do you want to play a Klansman?" lynching photography, civil rights camerawork, and the Moore's Ford Lynching reenactment in Georgia
Establishing a Black affective infrastructure: from lynching performance in the Hollywood of the South to Always in season (2019)
Conclusion: Toward an embodied social cinema, or from point of view to social sense.
Citation

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