Acknowledgments
Introduction: Argentina, the Onetti brothers, and the resurgence of giallo / Fernando Gabriel Pagnoni Berns and Matthew Edwards
Chapter 1: The killer's eye: giallo and the zoom lens / Brian Brems
Chapter 2: Argento's evil eye: movements, containments, and the giallo's possessive gaze / Émilie von Garan
Chapter 3: Death laid an egg: a giallo out of far-left field / Donald L. Anderson
Chapter 5: The analog of self-authenticity within "The forbidden photos of a lady above suspicion / Gavin F. Hurley
Chapter 6: Beyond interesting: the affective complexity of Barbara Bouchet in "Don't torture a duckling / Eric Brinkman
Chapter 7: "A white dress for Marialé": an interview with director Romano Scavolini / Matthew Edwards
Chapter 8: "Watch me when I kill" and "The bloodstained shadow": an interview with director Antonio Bido / Matthew Edwards
Chapter 9: A kinder capitalism: elements of the giallo in Hong Kong New Wave Cinema / Andrew Grossman
Chapter 10: "But illusions don't kill": an examination of giallo tropes and gender in Satoshi Kon's "Perfect blue" / Sean Woodard
Chapter 11: "This is no longer a metaphor but a demonstration": the red of blood in "The strange color of your body's tears / Sharon Jane Mee
Chapter 12: Almodóvar meets gay porn meets giallo: rewriting Argento's "L'uccello dale piume di cristallo in Un couteau dans le Coeur" / Fernando Gabriel Pagnoni Berns
Chapter 13: Warped nests: domestic architecture, transgressive female bodies, and the dissolution of the patriarchal domain in 1970s American gialli./ Brenda S. Gardenour Walter
Chapter 14: "Beauty is the only thing": sex and fantasy in American giallo cinema / Connor John Warden
Chapter 15: The Canadian giallo, or how the Italian thriller influenced the Canadian slasher film / Mikel J. Koven
About the contributors
Index.