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Profit Margins : The American Silent Cinema and the Marginalization of Advertising

Title
Profit Margins : The American Silent Cinema and the Marginalization of Advertising / Jeremy Groskopf.
ISBN
9780253059376
9780253059369
9780253059390
9780253059383
Publication
Bloomington, Indiana : Indiana University Press, [2021]
Manufacture
Baltimore, Md. : Project MUSE, 2023
Copyright Notice Date
©[2021]
Physical Description
1 online resource (346 pages): illustrations
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"Between the advent of print advertising and the dawn of radio came cinema ads. These ads, aimed at a captive theater audience, became a symbol of the developing binary between upper-class film consumption and more consumerist media. In Profit Margins, Jeremy Groskopf examines how the ad industry jockeyed for direct advertisement space in American motion pictures. In fact, advertisers, who recognized the import of film audiences, fought exhibitors over what audiences expected in a theater outing. Looking back at these debates in four case studies, Groskopf reveals that advertising became a marker of class distinctions in the cinema experience as the film industry pushed out advertisers in order to create a space free of ads. By restricting advertising, especially during the rise of high-class, palatial theaters, the film industry continued its ongoing effort to ascend the cultural hierarchy of the arts. An important read for film studies and the history of marketing, Profit Margins exposes the fascinating truth surrounding the invention of cinema advertising techniques and the resulting rhetoric of class division"-- Provided by publisher.
Variant and related titles
Project Muse books annual backfile collection 2023.
Format
Books / Online
Language
English
Added to Catalog
January 17, 2024
Contents
Introduction: Advertising Looks at Cinema
The Front Cover Medium: Lantern Slides, Temporality, and the Commercial Break
Screen Sugar Pills: The Advertising Trailer and the Commercialized Intermission
Watch This Space: Peripheral Advertising Through Technologies
The Cinema Wants to Be Free: Parks, Tickets, and Advertiser-Funded Cinema
Conclusion: Intemperate Proclamations.
Genre/Form
History.
Also listed under
Project Muse. distributor
Citation

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