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Margaret Bonds : the Montgomery variations and Du Bois Credo

Title
Margaret Bonds : the Montgomery variations and Du Bois Credo / John Michael Cooper.
ISBN
9781009053792 (ebook)
9781316511763 (hardback)
9781009054577 (paperback)
Publication
Cambridge, United Kingdom ; New York : Cambridge University Press, 2024.
Physical Description
1 online resource (xxiv, 164 pages) : digital, PDF file(s).
Local Notes
Access is available to the Yale community.
Notes
Title from publisher's bibliographic system (viewed on 30 Nov 2023).
Access and use
Access restricted by licensing agreement.
Summary
In her lifetime, African American composer Margaret Bonds was classical music's most intrepid social-justice activist. Furthermore, her Montgomery Variations (1964) and setting of W.E.B. Du Bois's iconic Civil Rights Credo (1965-67) were the musical summits of her activism. These works fell into obscurity after Bonds's death, but were recovered and published in 2020. Since widely performed, they are finally gaining a recognition long denied. This incisive book situates The Montgomery Variations and Credo in their political and biographical contexts, providing an interdisciplinary exploration that brings notables including Harry Burleigh, W.E.B. and Shirley Graham Du Bois, Martin Luther King, Jr., Abbie Mitchell, Ned Rorem, and - especially - Langston Hughes into the works' collective ambit. The resulting brief, but instructive, appraisal introduces readers to two masterworks whose recovery is a modern musical milestone - and reveals their message to be one that, though born in the mid-twentieth century, speaks directly to our own time.
Variant and related titles
Cambridge core frontlist 2023.
Other formats
Print version:
Format
Books / Online
Language
English
Added to Catalog
February 14, 2024
Series
New Cambridge music handbooks
Contents
Margaret Bonds's Societal Mission and The Montgomery Variations
Hope, Divine Benevolence, and The Montgomery Variations
The Text and Music of the Credo ; Appendix 3.1. Full Text of Du Bois's Credo
Interpreting the Credo in Context
Epilog. The Veil and Margaret Bonds's Syncretic Dual Perspective.
Citation

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