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Berlioz : symphonie fantastique

Title
Berlioz : symphonie fantastique / Julian Rushton.
ISBN
9781009075138 (ebook)
9781316513835 (hardback)
9781009074889 (paperback)
Publication
Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2024.
Physical Description
1 online resource (xvii, 153 pages) : digital, PDF file(s).
Local Notes
Access is available to the Yale community.
Notes
Title from publisher's bibliographic system (viewed on 30 Nov 2023).
Access and use
Access restricted by licensing agreement.
Summary
Berlioz's Symphonie Fantastique is a key work in the understanding of romanticism, programme music, and the development of the orchestra, post-Beethoven. It is noted for having a title and a detailed programme, and for its connection with the composer's personal life and loves. This handbook situates the symphony within its time, and considers influences, literary as well as musical, that shaped its conception. Providing a close analysis of the symphony, its formal properties and melodic and textural elements (including harmony and counterpoint), it is a rich but accessible study which will appeal to music lovers, scholars, and students. It contains a translation of the programme, which sheds light on the form and character of each movement, and the unusual use of a melodic idée fixe representing a beloved woman. The unusual five-movement design permits a range of musical topics to be discussed and related to traditional symphonic elements: sonata form, a long Adagio, dance-type movements, and thematic development.
Variant and related titles
Cambridge core frontlist 2023.
Other formats
Print version:
Format
Books / Online
Language
English
Added to Catalog
February 14, 2024
Series
New Cambridge music handbooks
Contents
Introduction, Programme, Outline
Literary and Musical Romanticism
Symphonie fantastique in Berlioz's lifetime
First movement: 'Rêveries, passions'
Second movement: 'Un bal'
Third movement: 'Scène aux champs'
Fourth movement: 'Marche au supplice'
Fifth movement: 'Songe d'une nuit de Sabbat'
The Sequel; Reception by Composers
Reception: Schumann and Musical Form
Other Approaches; Conclusion.
Citation

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