9782503608488

2503608485

"Preliminary versions of many of these chapters were presented at the International Conference 'Between Centres and Peripheries: Music in Europe from the French revolution to WWI (1789-1914), a virtual meeting celebrated on 06-09 May 2021"--page xiii

13 English, 4 French, 2 Spanish contributions; preface in Englsih; Abstracts and biographies in English

Speculum musicae ; volume L

Paris - Vienne, 1890-1914: singularités et convergences musicales / Yvan Nommick

Les écoles de musique françaises sont-elles des succursales du Conservatoire? / Étienne Jardin

'Periphery' as Centre: Canon Formation and Arrangements of Public Music in the Early Nineteenth-Century Viennese Home / Nancy November

Viennese Operetta Composers and their Publishers: A Love-Hate Relationship? / Martina Kalser-Gruber

Music for the 'Nation': the Creation of a Transnational Musical Style between Paris and Republican Milan / Alessandra Palidda

Le théâtre lyrique en Corse et en Algérie française au miroir de la presse musicale européenne (1830-1870) / Matthieu Cailliez

For the 'Authentic' National and Aesthetic Values: the challenges of Music Production and Performance in the Kingdom of Serbia (1882-1914) / Ivana Vesić

Music in and from Ireland: Perspectives on an Ununited Kingdom / Axel Klein

Centre and Periphery: Symphonic Identity in Portugal / Ivan Moody

Form as a Relational Object: Two Stories of Metrical Dissonances, or a Music-Historiographical Lesson from George Enescu / Kelvin H. F. Lee

Le 'Couronnement de la Muse du Peuple' de Gustave Charpentier: un théâtre citoyen à la rencontre des provinces françaises (1897-1914) / Clément Noël

Roma, Magyar, Jew: Complexities of Cultural Identity in the Spread of 'Gypsy Music' in the Long Nineteenth Century / David Conway

Peripheries in Dialogue: Grasping the Sounds of 'L'Espagne Romantique' in the Nineteenth Century / María Encina Cortizo

From Paris to the Ottoman Empire: Spanish 'Estudiantinas', the Popular Music Stage and Sonorities of the Belle Époque / Michael Christoforidis

Quinito Valverde: transculturalidad y modernidad en su obra europea (1907-1913) / Miriam Perandones Lozano

On the Edges of Society: The Hidden Musical Cultures of Nineteenth-century British Lunatic Asylums / Rosemary Golding

Singing la Patrie in Parisian Cafés: The 'chanteuses patriotiques' (1870- 1889) / Quentin Dishman

Between Hungary and Spain: Musical Encounters behind Europe / Gloria A. Rodríguez-Lorenzo and Francisco J. Giménez- Rodríguez

Relatos periféricos: Richard Wagner como instrumento narrativo en la literatura menor española del último tercio del siglo XIX en España / José Ignacio Suárez García.

Music > Europe > 18th century > History and criticism > Congresses.

Music > Europe > 19th century > History and criticism > Congresses.

Music > Europe > 20th century > History and criticism > Congresses.