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Typography and motion graphics : the 'reading-image'

Title
Typography and motion graphics : the 'reading-image' / Michael Betancourt.
ISBN
0367029308
0429626193
0429627831
0429629478
9780367029302
9780429626197
9780429627835
9780429629471
9780367029289
Publication
New York : Routledge, Taylor & Francis Group, 2019.
Physical Description
1 online resource : illustrations.
Local Notes
Access is available to the Yale community.
Notes
"Routledge focus."
Access and use
Access restricted by licensing agreement.
Biographical / Historical Note
Michael Betancourt is an artist/theorist concerned with digital technology and capitalist ideology. His writing has been translated into Chinese, French, German, Greek, Italian, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo. He is the author of The ____________ Manifesto, and books such as The History of Motion Graphics, and The Critique of Digital Capitalism, as well as three books on the semiotics of motion graphics: Semiotics and Title Sequences, Synchronization and Title Sequences, and Title Sequences as Paratexts. These publications complement his movies, which have screened internationally at the Black Maria Film Festival, Art Basel Miami Beach, Contemporary Art Ruhr, Athens Video Art Festival, Festival des Cinemas Differents de Paris, Anthology Film Archives, Millennium Film Workshop, the San Francisco Cinematheque's Crossroads, and Experiments in Cinema, among many others.
Summary
In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Format
Books / Online
Language
English
Added to Catalog
August 07, 2024
Series
Routledge studies in media theory & practice.
Routledge studies in media theory & practice
Bibliography
Includes bibliographical references and index.
Genre/Form
Electronic books.
Citation

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