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Women in performance : repurposing failure

Title
Women in performance : repurposing failure / Sarah Gorman.
ISBN
1315404885
1315404907
9781315404882
9781315404905
9781138223332
9781138223356
Publication
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2021.
Copyright Notice Date
©2021
Physical Description
1 online resource (x, 216 pages) : illustrations
Local Notes
Access is available to the Yale community.
Notes
Description based on online resource; title from digital title page (viewed on July 22, 2020).
Access and use
Access restricted by licensing agreement.
Summary
"Women in Performance charts the renewed popularity of intersectional feminism, gender, race and identity politics in contemporary Western experimental theatre and performance through the featured artists' ability to strategically repurpose failure. Failure has provided a popular frame through which to theorise recent avant-garde performance, even though the work rarely acknowledges stakes tend to be higher for women than men. This book analyses the imperative work of a number of female, non-binary and trans* practitioners who resist the postmodern doctrine of 'post-identity' and attempt to foster a sense of agency on stage. By using feminism as a critical lens, Gorman interrogates received ideas about performance failure and negotiates contradictions between contemporary white feminism, intersectional feminism, gender and sexuality. Women in Performance reveals how performance has the power to both observe and reject contemporary feminist and postmodern theory, rendering this text an invaluable resource for Theatre and Performance Studies students and those grappling with the disciplinary tensions between Feminism, Gender, Queer and Trans* Studies"-- Provided by publisher.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Gorman, Sarah, 1969- Women in performance London ; New York : Routledge, 2020.
Format
Books / Online
Language
English
Added to Catalog
August 07, 2024
Bibliography
Includes bibliographical references and index.
Contents
Introduction: Female Performers
Do They Matter?
Essentialism, Negativity and the Rebirth of Identity Politics
Chapter 2 Taking Back Control: Invective, Irony and Inscrutability Chapter 3 Self-Care and Radical Softness: Refusing Neoliberal Resilience Chapter 4 Nightclubbing: Queer Heterotopia and Club Culture Chapter 5 Taking Pleasure: Binary Ambivalence and Transgression Chapter 6 Tempering Anger: Asserting the Right to Define as Comic Without Further Caveat Chapter 7 Afterword
Citation

Available from:

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