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Image, history and memory : Central and Eastern Europe in a comparative perspective

Title
Image, history and memory : Central and Eastern Europe in a comparative perspective / edited by Michał Haake, Piotr Juszkiewicz.
ISBN
1000541711
1000541738
1003264468
9781000541717
9781000541731
9781003264460
9781032206240
9781032206257
Publication
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022.
Physical Description
1 online resource (xxiii, 280 pages) : illustrations.
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Biographical / Historical Note
Michał Haake is Professor and art historian at the Adam Mickiewicz University in Poznan, Poland. His research interests focus on history of European painting from medieval to contemporary art and art history methodology. His publications include Figuralizm Aleksandra Gierymskiego (Aleksander Gierymski's Figuralism) (2015) and Obraz jako obiektteoretyczny (Image as the Theoretical Object) (as co-editor, 2020). Piotr Juszkiewicz is an art historian and a professor at the Adam Mickiewicz University in Poznan, Poland. His publications include From the Bliss of Historiography to the "Game of Nothing". Polish Art Criticism of the of the Post-Stalinist "Thaw" (2005) and The Shadow of Modernism (2013).
Summary
This book discusses the active relationship among the mechanics of memory, visual practices, and historical narratives. Reflection on memory and its ties with historical narratives cannot be separated from reflection on the visual and the image as its points of reference which function in time. This volume addresses precisely that temporal aspect of the image, without reducing it to a neutral trace of the past, a mnemotechnical support of memory. As a commemorative device, the image fixes, structures, and crystalizes memory, turning the view of the past into myth. It may, however, also stimulate, transform, and update memory, functioning as a matrix of interpretation and understanding the past. The book questions whether the functioning of the visual matrices of memory can be related to a particular historical and geographical scope, that is, to Central and Eastern Europe, and whether it is possible to find their origin and decide if they are just local and regional or perhaps also Western European and universal. It focuses on the artistic reflection on time and history, in the reconstructions of memory due to change of frontiers and political regimes, as well as endeavours to impose some specific political structure on territories which were complex and mixed in terms of national identity, religion and social composition. The volume is ideal for students and scholars of memory studies, history and visual studies.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Image, history and memory. London : Routledge, 2022
Format
Books / Online
Language
English
Added to Catalog
August 07, 2024
Series
European remembrance and solidarity.
European remembrance and solidarity
Bibliography
Includes bibliographical references and index.
Contents
Introduction / Piotr Juszkiewicz
Part 1: Forms of Memory and Oblivion1. Dis-Remembered and Mis-Remembered: A Confrontation with Failures of Cultural Memory / Mieke Bal ; 2. Matejko. How Did He Do It? / Wojciech Suchocki ; 3. The Devotional Image as a Medium of Memory: The Case of the Painting of the Divine Mercy by Eugeniusz Kazimirowski Mariusz Bryl ; 4. Images in cito, in situ, in extremis: visual testimonies from the Holocaust by bullets / Roma Sendyka ; 5. The Stratified Image. Medium, Construction and Memory in Frank Stella's Polish Villages / Filip Lipiński ; 6. Against Illusion. Kuno Raeber's Thoughts on the Power of Material and the Art of Karl Rössing / Dorota Kownacka ; 7. The Past, Memory and Oblivion / Tadeusz J. Żuchowski ; 8. A Leap. Operations of Memory Between Sketch and Picture in Piotr Potworowski's Painting Process Łukasz Kiepuszewski ; 9. Smiling in Auschwitz. Instagram Selfies and Historical Representation at the Auschwitz-Birkenau Memorial and Museum / Robbert-Jan Adriaansen ; 10. Image World, Memory Space: Photographic Spectatorship as a Mode of Remembrance / Robert Hariman
Part 2: Memory and Identity. 11. The Memorial Topography of the Holodomor Between Cumulative and Cultural Trauma: A Genealogical Approach / Vitalii Ogiienko ; 12. Building the Finnish National Mythos. Photographs from the Russo-Finnish Winter War of 1939-1940 and their post-war use / Olli Kleemola ; 13. Archived and Mediated: Trauma and 'Sense Memory' in Son of Saul, Warsaw Uprising and Regina Beja Margitházi ; 14. Memory, History, Image, Forgetting: Obrona Warszawy ('The Defence of Warsaw') by Zygmunt Zaremba and Teresa Żarnower / Stanisław Czekalski ; 15. Pictures and History. Art Exhibitions as a Tool for the Validation of Communist Authority in Poland / Michał Haake ; 16. Hungary in Flames - Photographic, Cinematic, and Literary Memories of the Hungarian Revolution of 1956, and Its Impact on the History of IdeasTamás Gergely Kucsera17. Pictures for the Fathers: Baselitz's Heldenbilder as Anti-Images of the Socialist and Fascist Body / Justyna Balisz-Schmelz ; 18. The Everyday in the GDR in Individual, Cultural and Political Memory / Maria Khorolskaya ; 19. Between Memory and Myth: The images of Joseph Stalin in New Russian Media / Andrei Linchenko.
Genre/Form
Electronic books.
Citation

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