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The photographic invention of Whiteness : the visual cultures of White Atlantic worlds

Title
The photographic invention of Whiteness : the visual cultures of White Atlantic worlds / Stephanie Polsky.
ISBN
1000914658
1000914704
100327479X
9781000914658
9781000914702
9781003274797
9781032227344
9781032229324
Publication
New York, NY : Routledge, Taylor & Francis Group, 2024.
Copyright Notice Date
©2024
Physical Description
1 online resource (227 pages) : illustrations.
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Biographical / Historical Note
Stephanie Polsky is a Senior Academic Program Manager at the College of Arts, Media and Design at Northeastern University.
Summary
Focusing on the creation of the concept of Whiteness, this study links early photographic imagery to the development and exploitation that were common in the colonial Atlantic World of the mid-to-late nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, White European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of Whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World became synonymous with fascination itself within a European mind fixated upon both a racially subordinated world and the technical media through which it was represented. In the intervening centuries, images have acted as a medium of the imaginary, allowing for ideas around classification and the measurement of value to travel and to situate themselves as universal means. Contemporary societies still grapple with the residues of race, gender, class, and sexuality first established by the contrived mores of this representational medium, and those who were racialised by the camera as objects of fascination, curiosity, or concern have remained so well into the post-digital era. The book will be of interest to scholars working in history of photography, art history, colonialism, and critical race theory.-- Provided by publisher.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Polsky, Stephanie. Photographic invention of Whiteness. New York, NY : Routledge, 2024
Format
Books / Online
Language
English
Added to Catalog
August 08, 2024
Series
Routledge history of photography.
Routledge history of photography
Bibliography
Includes bibliographical references and index.
Contents
Daguerreotypes, the vanishing Native American and the invention of Western typologies
Mathew Brady's Civil War, daguerreotypes and the technological redefinition of White nationalism
Ain't I a human : Louis Agassiz's slave daguerreotypes and White scientific voyeurism
How the West was won : America at the Great Exhibition of 1851
The founding of the great White world : the Arctic daguerreotypes
White aesthetics : daguerreotypes in the consolidation of Colonial empires in West Africa
Lewis Carroll and the imperial eroticisation of White childhood
Material agency : the Eames Office, race, and US Cold War photographic aesthetics
The apple and the Anthropocene : the Whiteness of Silicon Valley's digital ecologies.
Citation

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