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The reception of the printed image in the fifteenth and sixteenth centuries : multiplied and modified
Title
The reception of the printed image in the fifteenth and sixteenth centuries : multiplied and modified / edited by Grażyna Jurkowlaniec and Magdalena Herman.
ISBN
1003029191 (electronic bk.)
9781003029199 (electronic bk.)
0367465116
9780367465117
Publication
New York : Routledge, Taylor & Francis Group, 2021.
Physical Description
1 online resource (xxv, 298 pages : : illustrations.)
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators', producers', owners' and beholders' motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period's print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history, and European studies"-- Provided by publisher.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Original
Online version: Reception of the printed image in the fifteenth and sixteenth centuries New York : Routledge, Taylor & Francis Group, 2021
Format
Books / Online
Language
English
Added to Catalog
August 08, 2024
Series
Routledge research in art history
Bibliography
Includes bibliographical references and index.
Contents
Multiplicity and Absence: The Negative Evidence of Interactive Prints / Suzanne Karr Schmidt
Playing with Destiny: Three Late Fifteenth-Century Uncut Playing-Card Sheets from Florence and Urbino / Loretta Vandi
Cultivating Designs: Early Ornamental Prints and Creative Reproduction / James Wehn
Gillet and Germain Hardouyn's Print-assisted Paintings: Prints as Underdrawings in Sixteenth-century French Books of Hours / Maureen Warren
A Passion for Prints: Netherlandish engravings in an early sixteenth-century prayer book / Olenka Horbatsch
Eroticism under a Watchful Eye: Censorship and Alteration of Woodcuts in Ovid's Metamorphoses between the Fifteenth and the Sixteenth Centuries / Giuseppe Capriotti
Limitations of the Reception and Consumption of Illustrations in Chronica Polonorum by Maciej of Miechów (Cracow, 1521) / Karolina Mroziewicz
A Foreign Affair: Thomas Gemini and his Booklet of Moresque Designs / Femke Speelberg
Speaking Images and Speaking to the Images: Inscriptions in Religious Prints Published by Antonio Lafreri / Alexandra Kocsis
Saint George from Greater Poland: Complexities of the Reception of Albrecht Dürer's Engraving / Joanna Sikorska
Changing Fortunes: Dürer's Nemesis and the Beham Brothers / Małgorzata Łazicka
The set of the Four Elements by Hendrick Goltzius and the use of engravings in the seventeenth century / Júlia Tátrai
Different Confessions, Different Visions of Heaven? Visual Eschatology, Cross-Confessional Conformity and Confessional Identity Marking in the Picture Motet The Adoration of the Lamb and in Its Reception / András Hándl
Prints and the Beginnings of Global Imagery / Jean Michel Massing.
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