Title
Shakespeare, Trauma and Contemporary Performance.
ISBN
0203862945
9780203862940
9780415956451
Published
Hoboken : Taylor & Francis, 2011.
Physical Description
1 online resource (182 pages)
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
This study explores the relationship between performances of Shakespeare's plays and the ways in which they engage with traumatic events and histories. It investigates the ethical and political implications of attempts to represent trauma in performance, and interrogates a range of narratives about Shakespeare, gender, sexuality, ethnicity, colonization and violence.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Silverstone, Catherine. Shakespeare, Trauma and Contemporary Performance. Hoboken : Taylor & Francis, ©2011
Added to Catalog
August 08, 2024
Series
Routledge Studies in Shakespeare Series
Contents
Front Cover; Shakespeare, Trauma and Contemporary Performance; Copyright Page; Contents; List of Illustrations; Acknowledgements; Introduction; 1. Honour the real thing: Gregory Doran's Titus Andronicus in South Africa; 2. The Legacy of Colonisation: Don C. Selwyn's The Maori Merchant of Venice and Aotearoa New Zealand; 3. Sexuality, Trauma and Community: The Tempest, Philip Osment's This Island's Mine and Gay Sweatshop; 4. Theatres of War: Nicholas Hytner's Henry V; Notes; Bibliography; About the Author; Index.