Chapter Introduction / PENG HSIAO
YEN AND ELLA RAIDEL
part Part I Remembering China: the individual self, the collective, and the state apparatus
chapter 1 Why remember everyday movie- going in Cultural Revolution / Shanghai? CHRIS BERRY
chapter 2 Persuasive communication in Chinese historical film: The Founding of a Republic as a milestone / ISABEL WOLTE
chapter 3 Images of redress and rehabilitation: 2pingfan (in) film3 and perceptions of coming to terms with the past in China / AGNES SCHICK
CHEN
chapter 4 A familiar stranger: Grierson in China / L U XINYU
part Part II Politicizing archives: artists and digital history
chapter 5 The use and abuse of archives in contemporary art HONGJOHN LIN
chapter 6 Making reverberation: residue of sounds and images / CHEN CHIEH
JEN
chapter 7 The digital emergence of a new history: the archiving of colonial Japanese documentaries on Taiwan / Y U
LIN LEE
part Part III Manufactured archives: the fictional memory
chapter 8 Wong Kar- wai's Mood Trilogy: robot, tears, and the affective aura / PENG HSIAO
YEN
chapter 9 The missing and the fictional memory: leitmotifs of Tsai Ming- liang's oeuvre ELLA RAIDEL
chapter 10 Light and shadow of jianghu: peering into the contemporary political mythology in Crouching Tiger, Hidden Dragon, Hero and The Grandmaster / SANDY HSIU
CHIH L O.