Introduction
Seeing is believing: performing reform in Colley Cibber's Love's last shift
Sincerity as spectacle: Susanna Centlivre's The gamester and George Farquhar's The inconstant
Reforming the reformer: female gaze and rake reform in Colley Cibber's The careless husband and The lady's last stake
Jokes and party strokes: whig ideology and wife-reform in Richard Steele's The tender husband and Charles Johnson's The masquerade
Horns, whores, and happy marriages: reforming jealousy in Charles Johnson's The generous husband and Benjamin Hoadly's The suspicious husband
Afterword.