Pt. I: Literature: history and memory
1. Winners and losers in cinema and memoirs. Emilio Martínez Lázaro's Las 13 rosas ('The 13 Roses', 2007) and Esther Tusquets' Habíamos gando la guerra (We Had Won the War', 2007)
2. Resuscitating Franco in popular narrative and television. Vizcaíno Casa's ... Y al tercer añ̃o resucitó ('And in the Third Year he Rose Again, 1978) and Cuéntame cómo pasó ('Tell Me How It Happened', TVE 2001)
3. The audiovisual transition: cinema, television, and Muñoz Molina's El jinete polaco ('The Polish Horseman', 1991)
pt. II: Cinema: authority and society
4. A question of queer authorship: Almodóvar's unpublished short stories (1973)
5. Spanish cinema's missing children. Juan Antonio Bayona's El orfanato ('The Orphanage', 2007) and Jaime Rosales' La soledad (Solitary Fragments', 2007)
6. Re-presenting the others: cinema and television on ethnicity and Immigration
pt. III: Television: genre and transitivity
7. Re-visions of Teresa. Josefina Molina's Teresa de Jeśus (TVE, 1984) and Ray Loriga's Teresa: el cuerpo de Cristo ('Teresa, the Body of Christ', 2007)
8. Hybrid fictions: television comedy between soap opera and pseudo-documentary. Los Serranop [Tele 5, 2003-08] and Camera café ('Coffee Cam', Tele 5, 2005-09)
9. Travelling narratives and transitional life strategies. Yo soy Bea ('I Am Bea', Tele 5, 2006-08) and Ugly Betty (ABC, 2006-10)
Conclusion: literature, cinema, television.