Grasping color: fifteenth to seventeenth centuries. An age-old interest in color
The sample, a tiny world
In the seventeenth century, a growing range of tools
An ideal system: eighteenth century to mid-nineteenth century. The dyers' drive to innovate
The Werner-Syme nomenclature, a color chart for understanding the world
In the early nineteenth century, chemists work with textile samples
The chaos of synthetic color: mid- to late nineteenth century. Teaching manuals in chemistry reflect the transformation
Continuing the undertaking of creating order in the sciences and the arts
A revolution in color: late nineteenth century to World War I. The chemical industry uses the color chart to promote the dyeing of raw materials
Silk thread dyers orient their color charts toward creativity
The retail color chart
A struggle with the limitations of the color chart
Bringing color to the masses: between the world wars. The color charts of a thriving chemical industry
The sewing and fashion industries: general stability and a few innovations
The paint color chart introduces users to new products, customs, and perceptions
Fine arts color charts become increasingly decorative
Cosmetic color charts reflect an artistic approach to reproductions
Color charts appear throughout the household
Jubilation of color: 1950s-1980s. The color chart in the chemical industry of the Trente Glorieuses
Color charts for clothing that became more colorful
In interior design, color charts for increasingly varied applications
Color charts for artists' supplies: teaching and distancing
Cosmetics color charts evoke enthusiasm
The color chart: Multitude, icon, idol, 1990s to the present. Ordinary and extraordinary color charts
A wide range of choices
In the 2000s, the color chart moves from icon to idol
Color charts and artists
Elegy or epilogue?