Cover
Half Title
Title Page
Copyright
Contents
List of Figures
Acknowledgements
Introduction
1 Producing with Indie-Auteurs: The Coen Brothers and an Indie Periodisation
2 Managing Indie-Auteurs in an Era of Media Convergence: Steve Golin, Propaganda Films and Anonymous Content
3 Propaganda/Films: The Indie-Auteur and the Legitimation of Short-Form Production
4 Packaging Indie-Auteur Television: The Single-Director Model, Cinematization and the Pursuit of Legitimacy
5 Navigating Specialty Film's Decline and Disruption: Specialty Film, Studio Blockbusters and the Maverick Male Myth
6 Black Agents and Agency: Charles D. King, Macro and the Talent Management of Black Indie-Auteurs
Conclusion: The Migration of Indie-Auteurism and New Directions
References
Index