Part I. Aesthetics and/as Politics in Hybrid Transtextual Adaptation
Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing / Ewa Kębłowska-Ławniczak
Joycean Biographics as Hybrid Transmedia Adaptations: World-Building through Biographical Comics / Eva C. Karpinski
Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration / Julia Boll
Part II. Repurposing 'Classics'
Appropriating Biography: The Hybrid 'Face' of Shakespeare in Branagh's All is True / Jacek Fabiszak
Advertising as Adaptation: The Case of Romeo and Juliet / Roberta Zanoni
Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri / Jacqueline Petropoulos
Part III. East-West Adaptation Flows
'Cobra Kai never dies' : Rebooting the Karate Kid Franchise for a 21st century YouTube and Netflix Audience / Agnieszka Rasmus
Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden / Huimin Wang
Medial Transposition and Imitation in The Handmaiden / Davide Burgio
Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet / Simona Oliva.