Introduction: The hands behind the seams
The Night They Raided Minsky's: Part I: A month for nine minutes
The Night They Minsky's: Part II: Life sentence
From a recording medium to an art form: The invention of editing
Bolshevik editors: The fanatics of the cutting room
The birth of a profession: Technicians with dreams
From the shadows of Bensonhurst: Portrait of the editor as a young man
The Office of War Information: Apprenticeship with the documentary guys
Robert Flaherty and Helen van Dongen: The collaboration that sustained a legend
Making it: The TV pressure cooker
The Pawnbroker: Part I: The re-creation of the flashback
The Pawnbroker: Part II: X-rays of the mind
A Thousand Clowns: Part I: Flouting convention
A Thousand Clowns: Part II: A style arrived at repair
The Producers: Not just another funny picture
Goodbye Columbus: The face on the cutting-room floor
My problem with directors
Take the Money and Run: The film they wouldn't release
Scenes from a marriage: Working with Woody on Bananas, Sleeper, and Love and Death
Annie Hall: It wasn't the film he set out to make
Swan song
Thank you.