Introduction of Elliott and Helen Carter
The changeable and varied human being
The experience of time
The past and the beginning of modernism
The new composers
The study with Nadia Boulanger in Paris
The synthesis of Schoenberg and Stravinsky
The development of rhythm
The Eisenstein's film 'Battleship Potemkin" and the musician as an individual
The piano concerto and the Berlin Wall
The clarinet concerto and the composer Pierre Boulez
The sculptor Helen Jones Carter
The Brooklyn Bridge
The present and the opera 'What next?'
The future and 'A mirror on which to dwell'.