Blood, shit and tears: the textual reinscription of sacrifice, ritual and victimhood in Bernard MacLaverty's Cal
The law's terrifying double: "Legal Panic" in Glenn Patterson's That which was
Family matters: Jim Sheridan's In the name of the father and Terry George's Some mother's son
States of desire in Patrick McCabe's Breakfast on Pluto
"Something like God": shit, orifices, and bodily signifiers in Louise Dean's This human season.