Introduction: "O wind, tell the demons and fairies" : a call for reconciliation in Northern India
Amīr Khusraw and the uniting of opposites
Tolerance in medieval South Asia : an overview
The framework of frontier studies : when two cultures meet
Islamic civilization as an ever-changing glacial wave
Understanding cultural change through frontier studies
Examples of synthesis and conciliation
Khusraw as the exponent of a new, third culture
Setting new standards of legitimacy in the Dibachah
Minting new currency in the Dibachah
How the Dibachah came to be written
The structure of the hierarchies
Khusraw's response to the various hierarchies
The poet's defense of Persian vs. Arabic
The poet's defense of Indians and Persians vs. Arabs
Legitimating Hindavi as an authentic Muslim language
Double entendre (Iham) and Indo-Persian innovation
A show-stopping example of Iham
Balancing gender roles : male/female dynamics in the Hasht Bihisht (eight paradises), 1301/2
Breaking Nizami's golden seal of eloquence : Khusraw's Khamsah
The Bahram Gur story and the portrayal of women
Firdawsi : the construction of heroic masculinity
Nizami : the reseating of Fitnah
Amir Khusraw : the lion-capturing deer
A clear deconstructionist character
Female rule in the Delhi Sultanate : the example of Raziyyah
The influence of mysticism
Was Khusraw a medieval feminist?
Toward a more equitable world
They see my Hindu kill in the style of Turks : the dismantling of a dichotomy in the Nuh Sipihr (nine skies), 1318/9
Writing to please a pleasure-loving king
Turk and Hindu in history
Amir Khusraw's use of Turk and Hindu
Seeds of ambiguity
The Third Sipihr : a new chapter on Hindus
A generative union
Conclusion: Glorious the radiance of that exalted sun : pluralistic ideals on the subcontinent and beyond
Uncovering the authentic Khusraw
The question of legacy.